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- Adobe Premiere Pro Garbage Matte After Effects how to#
- Adobe Premiere Pro Garbage Matte After Effects pro#
While I haven’t used the latest version of Mocha Pro, the magnetic spline tool looks like an impressive time saver.
Adobe Premiere Pro Garbage Matte After Effects pro#
When it comes to advanced masking and roto, then upgrading to Mocha Pro is another example where a 3rd party plugin can pay for itself with a single job.
![Adobe Premiere Pro Garbage Matte After Effects Adobe Premiere Pro Garbage Matte After Effects](https://flashbackj.com/wp-content/uploads/2017/06/30181546/Luma-Key-770x500.jpg)
For keying you have two different Primatte versions, and Composite Brush. For noise reduction, I recommend Neat Video or Red Giant’s Magic Bullet denoiser. In the earlier parts of this series I’ve mentioned various 3rd party products that I believe are worth the price.
![Adobe Premiere Pro Garbage Matte After Effects Adobe Premiere Pro Garbage Matte After Effects](https://flashbackj.com/wp-content/uploads/2017/06/30181526/Alpha-Processor-500x325.jpg)
With such a broad series like this one I don’t see the value in taking a single clip and working through it to produce a final “perfect” result. I admire anyone who can sit through both parts in one sitting without drifting off, but there’s a lot of information in there.Īs with the earlier parts, the videos cover all of the main information but there’s always a few things I like to emphasize in writing. So there must be something to it… The resulting tutorial is so long that I’ve split it into two halves, part 1 is on combining multiple mattes and part 2 is on colour correction. Simples! But is something so basic worthy of its own article? Anyway I sat down and started recording and didn’t finish until 2 hours later.
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Adobe Premiere Pro Garbage Matte After Effects how to#
After all, that’s what After Effects does – it’s what everyone already knows how to do! Bring in a few videos, stack them together in the timeline and then mask out different areas. When I started work on this series, I was worried that I wouldn’t have enough material to do an entire tutorial just on combining different renders. This directly follows on from part 3, where I demonstrate setting up a bunch of different keys. In Part 4 of this series on advanced chromakey in After Effects, I demonstrate the benefits of stitching together a matte from multiple different renders. The point of using a chromakey plugin is to generate a matte / alpha channel based on the colour of a background.
![Singstar songs 2000](https://kumkoniak.com/104.jpg)